دوافع الصراع النفسي لشخصية المرأة في نصوص شكسبير المسرحية

Abstract

The world stage interface civilized source of culture underlying seeking to improve the communities, because of its cognitive properties included in Botguetha all humanitarian areas, particularly psychological, as the latter represents based foundation to describe the psychological structures of the characters dramas and especially (the women) on levels : the level of motivation, and the level of conflict that led to those motivations. Because Shakespearean theater possessed of great significance as the nose, it has meant a search (the psychological motives of the woman's personality conflict in the texts of Shakespeare's play) to examine what motives the Shakespearean women and psychological repercussions on the nature of the behavior. Find the four chapters have been included. Annexation of the first chapter of the research problem, which centered around the following question: (What are the motives of Psychiatric woman's personality conflict in the texts of Shakespeare's play), and the importance of research, which was attributed to the need to examine the motives of Psychiatric woman's personality conflict in the texts of Shakespeare's play, being a model adequate to know and understand the psychological references for women worldwide, and it is needed, which starts from the fact that this research will benefit the workers in the theatrical field of writers and technicians, as well as scholars and specialists in the psychology of the theater, and target identification, which focused on identifying the motives of the psychological conflict of the personality of women in the texts of Shakespeare's play, was the border select ( temporal: 1590 m 1609 m), and (spatial: England), and (objective: the study of the psychological motives of the woman's personality conflict in the texts of Shakespeare's play), as well as operational definitions of terms contained in the title search. The second chapter (theoretical framework), consisted of two sections, as well as the stated indicators resulting from the theoretical framework, and previous studies. Researcher in the first section: personal psychology, and the second section has the researcher psychological conflict of the personality of women in the global theatrical text. As previous studies have included a study of the researcher (Abla Abbas Khudair) tagged (psychological and social composition of the woman's personality in the Shakespearean tragedy). And devoted the third chapter of the research procedures as it was determined the research community, who are (11) text theatrically, and learned from him the sample selected randomly, represented in my play (Hamlet) and (Othello), the researcher has the descriptive approach adopted (analytical) in the sample depending on what is dictated by the nature of the current research. The researcher concluded in the fourth quarter to mention the results that ran from sample analysis, and conclusions, and the list of sources. The sample results were summarized by the researcher as follows.