The background of the reception in the Arabstraditionalrhetoric and criticism.

Abstract

This studyattempts at picturing the phenomenon of receiver in the cultural background of the rhetorical and critical tradition awayfrom the externaleffectswhichaccompanied the development of theالعدد الثالث والسبعون مجلة ديالى / 7102888rhetoricalterms. On the light of that, the article drives its data from oral reception, religiousreception and the rhetorical perspective in itsnaturalcontext as a space to linguisticoriginality and articulatedminds on the creativityprocesswhich has been widelyacknowledged in its golden age. In particularly, in the pre-Islamicagewhichstartedwith the usage of memory currant at itscontext of orality. The article attemptsalso to shed lights on the reception of religiousdiscoursesstartingfrom the beginning of Al-Fatiha of Quran, thangraduallymoved to the development of perception whichmatched the aestheticimpressionistmethodology, and endingwith the uniqueness of the artistic image thataimed at attracting the receiverthroughinterpreting the textemotionally. All of thatwasrequired to highlight the picture of reception in the rhetorical and critical tradition alongwith the fertile land thatembarkedit via variousthinkingways.Keywords: Orality, reception, tradition, rhetoric, reference, culture, text, criticism, thinking, context