(Verbal and moral intertextuality with the Holy Quran in the poetry of Shams al-Din al-Kofi)

Abstract

Abstract:Intertextuality is one of the apparent artistic techniques that give the poem strength and influence. Its concept and theory were formulated in the Western critical arena in the second half of the last century. Its presentation raises the problem of the extent to which the phenomenon was perceived in past ages by poets. Intertextuality means the overlap and mixing between a previous text that the poet heard or read and a poetic text he wanted to compose. The ancient Arab poets circulated intertextuality, and it was recognized by the ancient Arab poet, and was praised by the recipients, especially if the previous text was a Quartic text or a hadith about the Prophet Muhammad, may God bless him and grant him peace, or an evocation of influential religious or historical figures, which is what the researcher did in The current study in order to solve the problem that was raised by Arab critics in the modern era more than it was raised by their foreign counterparts, when they denied the existence of the idea of intertextuality in ancient Arabic poetry, and promised its birth with the definition of its concept in the modern era by Western critics, so the goal was to explore The existence of the phenomenon of intertextuality in ancient Arabic poetry during the late Islamic era, and making sure that the idea was circulating in the mind of the poet and the recipient despite not defining it in a specific framework, and the choice of one of the poets of the Abbasid era (Shams al-Din al-Kufi) who experienced the fall of Baghdad by the Mongol army was One of the most important findings of the research was that the poet and his time constituted a fertile field for investigating the extent to which ancient Arab poets and their recipients knew the idea of intertextuality before it was defined and put into its theoretical framework in the twentieth century