التنصيص الخطابي وراء ملحمة جلجامش وأبعاده التشكيلية عبر الحضارة العراقية القديمة جوديا وحمورابي أنموذج ا

Abstract

The shape has been depicted as one of the most significant civilizational means which functions in human life, in terms of linking “senders” and “receivers” within the art of structural speech. It aims at making an awareness of what lies behind the event more than its apparent narrative, as it focuses more on descriptive manifestations at the expense of the actual content. For that reason, we worked on the re-interpretation of civilization, in accordance with the specialty of art, through its more graphic output, and in the light of the semiotic approach. We examined the structural signs in extremely precise detail of the partials, and then followed its uniform pattern within each single text, thus making way for the whole of the ancient Iraqi civilization in the form of three social reformers (Gilgamesh, Judea, and Hammurabi). These reformers share three works of fine art on the concept of how to maintain life and durability. The resulted concept was decided in favor of a symbolic approach towards good deeds, which were represented as the overall value of a sound life, and agreed upon as a common symbol of world religions, of which Islam is the seal. These various forms of expression are no longer restricted to a certain time, age, or category of people. On the contrary, their influence has expanded to all sorts of expressive fields, to an unlimited extent, as they started at a single point before expanding in accordance with social needs.

Keywords

Abstract/The shape has been depicted as one of the most significant civilizational means which functions in human life, in terms of linking “senders” and “receivers” within the art of structural speech. It aims at making an awareness of what lies behind the event more than its apparent narrative, as it focuses more on descriptive manifestations at the expense of the actual content. For that reason, we worked on the re-interpretation of civilization, in accordance with the specialty of art, through its more graphic output, and in the light of the semiotic approach. We examined the structural signs in extremely precise detail of the partials, and then followed its uniform pattern within each single text, thus making way for the whole of the ancient Iraqi civilization in the form of three social reformers, Gilgamesh, Judea, and Hammurabi. These reformers share three works of fine art on the concept of how to maintain life and durability. The resulted concept was decided in favor of a symbolic approach towards good deeds, which were represented as the overall value of a sound life, and agreed upon as a common symbol of world religions, of which Islam is the seal. These various forms of expression are no longer restricted to a certain time, age, or category of people. On the contrary, their influence has expanded to all sorts of expressive fields, to an unlimited extent, as they started at a single point before expanding in accordance with social needs.