TY - JOUR ID - TI - الأنثروبولوجيا المرئية دراسة في التناول السينماتوغرافي للجماعات البشرية فيلم (أبناء النهر) أنموذجاً AU - د. محمد هادي الحيالي د. ماجد عبود الربيعي الجامعة المستنصرية/ كلية التربية الأساسية جامعة بغداد/ كلية الفنون الجميلة PY - 2016 VL - 22 IS - 95/علمي SP - 379 EP - 411 JO - journal of the college of basic education مجلة كلية التربية الاساسية SN - 18157467 27068536 AB - Dr. Mohammed Hadi Al-hyali Dr. Majid aboud Al-Ruba'iAbstract The need for the insight of things, topics and deep details a way from a spot of light has formed an important joint in the updating Epistemological theory especially the deep human concerns whether it was a scientific need or other utilitarian purposes, subjective or objective, one of these needs is the anthropology that described as uncivilized, non written and not civil comparing with those civilized and civil societies which are called as civics, Not only did the investigation and stick to blogging and oral , or reclining on the theoretical side of the abstract , but it's beyond that level to fall within the scope , which has become known as the visual anthropology or the introduction of tools and supplies , and employ visual requirements or visual art as a science supports the provision that direction cognitive recipients Whether they are with a group or normal people united obsessed with the need to know and see and enlightenment. So, the current study entitled as (Visual Anthropology:A cinematographic study in dealing with the Human group(sons of the river's ) as a model) tries to investigate the most important supporting infrastructure and buildings across the four chapters which came first under the name of the methodological framework , and ensure that the research problem , which was formulated in accordance with the following question : How do you eat discourse Film human groups in the folds of compositional structure ? This chapter contains the importance of research and its objectives and its borders and determine the most important terms contained in its title and well defined . The second chapter is marked (theoretical framework and previous studies ) contains two sections basic , the first title ( the entrance to an understanding of the term anthropology and ramifications of cognitive and cultural ), and the second section entitled ( prototypical elements of cinema language in dealing with human groups ) and special framework theoretical indicators mechanisms reached , as well as reference to previous studies that current study have approached.The third chapter , entitled as ( the procedures of the study) has a research methodology , the research community , the research sample that has been selected intentionally and identified through the film ( the sons of the river ) , tools of the study and validity. And chapter Four contains a sample analyzed and discussed according to the theoretical framework indicators , and extracted a set of final results based on the sample analysis and recommendations that are essential to research and outputs and then proposals which can be illustrated in the future to research or methodological academic studies. The study contained a list of sources and scientific references relied upon achievement during the search process and supplements as well as appendices .In conclusion, we supply some findings of the research, were as follows :1.observed through the sample footage selected analyzing that and through volumes shots and shooting angles and camera movement camera that has a great role in the transfer of visual and private lives of human groups detail ( Sabean Mandaeans range ) in a manner distinct from the transparent transport or printed reading making of visual anthropology and mediator in a distinctive expression.2.It shows that the meetings personal photographer has a significant presence in the anthropological documentary film ethnographic structure for the detection of particles is the phenomenon of visual contact is not a realistic level and not the visual diagnosis cinematically.3.Ethnographic documentary presented through visual anthropology represents an integrated optical system of elements and synthetic assets for the transfer of real-life human groups (Sabean ) accompanied by a state of ritual viewing .4.It is clear from the footage through the sample selected to the urgent need for a personal anthropologist as an adjunct to the film -maker to shed light on some of the details of those targeted human community.5.The anthropologist submit those human groups more clearly and aesthetically and credibility through its vocabulary consisting of structural elements of cinematic language -appropriate traded in anthropology and ethnography science concepts.

شكّلت الحاجة لأكتناه الأشياء والموضوعات والتفاصيل القصية أو البعيدة عن دائرة الضوء مفصلاً بارزاً في النظرية الأبستمولوجية المحدثة وبالخصوص ذات الاهتمامات الإنسانية العميقة سواء أكانت احتياجاً علمياً أم لأغراض نفعيةٍ أخرى موضوعيةٍ كانت أو ذاتية، ومن هذه الاحتياجات العلمية التي درست وسبرت أغوارها الأنثروبولوجيا بوصفها علماً يُعنى بالسلالات البشريةِ أو الجماعات الإنسانية ، لاسيّما تلك التي توصف أنها بدائية، أو غير متحضرة ، أو غير كتابية، أو لا مدنية مقارنةً بتلك المجتمعات الكتابية والمتحضرة التي عادةً ما يطلق عليها بالمدنيات، ولم يقتصر الأمر عند التقصي والتشبث والتدوين الشفاهي، أو الأتكاء على الجانب النظري المجرد بل تعدى الأمر ذلك المستوى ليدخل في نطاق ما بات يُعرف بالأنثروبولوجيا المرئية، أي إدخال الأدوات وتوظيف المستلزمات والمتطلبات المرئية أو البصرية بوصفها فناً يدعم العلم في تقديم ذلك الاتجاه المعرفي للمتلقين سواء أكانوا نخبويين أم أناس عاديين يجمعهم هاجس الحاجة للمعرفة والاطلاع والتنوير وهو ما سيقوم به البحث الحالي الموسوم (الأنثروبولوجيا المرئية: دراسة في التناول السينماتوغرافي للجماعات البشرية ER -