@Article{, title={Horse Drawings on Plastic Arts رسوم الخيل على الفنون التطبيقية حتى نهاية العصر العباسي}, author={Muhammed Khudhair محمد خضر محمود and Ahmed Qasim Al-Jumaa أحمد قاسم الجمعة}, journal={Adab AL Rafidayn اداب الرافدين}, volume={41}, number={60}, pages={169-196}, year={2011}, abstract={Muslim artist was solicitaus with decorating animal, human, plant and geometric forms on the applied arts of which were the paintings of horses. These paintings express the broad horizons of Muslim artist as he transferred their forms. Consequently these paintings were spread in multi–buildings sites like palaces and baths. In this study, we shall tackle the inscriptions that were made by the Muslim artists on movable things. It studies the naming of horses both linguistically and conventionally. It also cites the Quranic verses that mention this word, i.e. horse. In addition to many of Summerians and Assyrian landscapes. The artist made his the inscription on textiles and porcelain. To add, the researcher notices the great attention that have been by the artist to horses, as they were used as transport means to reach the farthest point in the world in the time. This is what was reflected by the Muslim artist in his work as an arti

تلقى دراسة الفن الإسلامی اهتماماً واسعاً لدى الباحثین الآثاریین، لاسیما الفنون التطبیقیة التی انتشرت فی أرجاء العالم الإسلامی، فأصبحت معبرة عن الصبغة الجمالیة التی دخلت إلى کل بیت ولم تستثن منها الأماکن المقدسة کالجوامع والکنائس.وبناءً على ذلک وقع اختیارنا لدراسة الرسوم الحیوانیة المنفذة (رسوم الخیل على الفنون التطبیقیة المختلفة فی العصرین الأموی والعباسی) التی ضمت بعض النماذج على المعدن والنقود والخشب والعاج والخزف والمخطوطات التی تزین معظم المتاحف العالمیة.ومثلت هذه المعروضات إحدى أهم الفنون التی دلّت بشکل جلی وواضح على براعة الفنان والصانع المسلم ومدى خصوبة خیاله آنذاک.} }