تجليات المركز والهامش في القصيدة النسوية العراقية

Abstract

Praise be to Allah, peace and blessings be upon our Prophet Muhammad Syed senders, and The God of the good and virtuous, and his companions Almentajabin, and after: Cultural Studies pays due attention in the post-modern duality (center / Margin) to break the idea of dominant centers and interest groups downtrodden, which did not specify a certain direction, but reflected on all aspects of life, and therefore these bilateral As governed by the conflict, or the need of each party, including the the other, came feminist movements (emanating from the womb of cultural Studies) Women interested in the product and/ feminist, who put in place the margin for long stages of the life of critical studies, where it remained stationed around the discourse of male and produced texts Surpassing what you write women to express themselves or surrounded . The attempt to stand at ( center / Margin) at the thought of women's creative product taking directions several , but publicly in this section we have tried to be determined emotionally , and how it translated Iraqi feminist poem women's relationship with men, and of these bilateral angle, to get to what you see hub in the relationship with the other as opposed to what you see margin , came themes derived from the study needed before we get to the finale , which included the most important findings of the research, the list of sources and references .