The existential psychological trend of the character in the Iraqi theater discourse

Abstract

Personality is the central and central element around which the search for truth, reality and knowledge generated by experience in the fields of psychology and theater are conducted. They are interdependent and dependent on each other without separation, because the meaning is human and its relation to existence or what exists in existence and its impact on the human personality. The personality of the play is a person who created its creator or the same, that is, the relationship is psychological first and not, until the theories were taken in line with specific areas converge and contrast in the direction of each direction. The existentialism came as one of these trends, which was typical of the experimental movements and spread according to its means globally, and there is no doubt that the Iraqi theater is part of the system that will be influenced by this trend on the assumption, hence the question of the research problem (what the existential psychological direction of the character in the Iraqi theater discourse) (2005-2015) and spatial and objective after the researcher identified his goal to (know the existential psychological direction of the character in the speech of the Iraqi theater) and the contents of the first chapter (of the study divided into four chapters) the importance of research and the need to discuss terminology to determine the procedural definitions of the vocabulary In the title. The second chapter, which included (theoretical framework), came in two sections. The second topic deals with the study of psychological concepts in the light of the surrealist and theatrical theatrical, to conclude the research to the most important indicators that resulted from the theoretical framework.