الأسلوب الفني في أعمال الفنان سعد شاكر دراسة تحليلية

Abstract

SummaryThe techniques study are studying art performance ways, Art is human activity collectively and individually, and the product of civilization stretches based on patterns, styles and social structures for each periods of this cultural construction. In addition, Iraq was uniqueness of civilized technician distinct role throughout history enabled it to be a cultural center effect many of the arts of human civilizations.With renewed Iraqi art contemporary artistic activities in the thirties of this century, and the formation of the contemporary Plastic art movement, and the role of the artist in supporting and strengthening the foundations of the leading fine art movement, the importance of this research was on trying to figure out the occupied of ceramic art general place in that movement.Then to know the style of this art by identifying the artist’s styles so, any study of the style of art means the study of the means of the artist who uses them to achieve the results desired by in his artistic work.The arts works is a true reflection of the artist style and the way he shape it, the importance of this research to identify through trace his artwork periods of his life different.Moreover, we can see the importance of studying the technique at the level of general humanity study and the study artist (Saad Shaker) style exclusively comes first the importance of style study mentioned earlier.Then the importance of the artist (Saad Shakir) was one of the greatest Iraqi ceramicist contemporary signs, and being one of the early practitioners in contemporary Iraqi ceramist and wider art experience man in objective and the form.(Saad Shakir) studied painting for three years in the Baghdad Fine Arts Institute until the coming of the professor (Valentinus Carelambos) ,how clearing to (Saad Shakir) ceramic trail and give him all the necessary help, encouragement and advice, stressing that by saying, "You have the mentality Lloyd possible to be a ceramist “You have the mentality possible to be a ceramist," which achieved a motive the artist to continue his work and continue in his study, where he was spending most of his time at the institute to associate students of evening study like (Nuri al-Rawi) and (Kadhim Haidar) and their professor(Faeq Hassan) .(Saad Shakir) the first result of Valentinus education and most perfect, hi is today the most Iraqi leading ceramist undisputed, has made his way by a solid Basis first and what he got it then from a variety of knowledge extend has a tendency towards hard work and influenced his imagination and sensibility.The relationship of Saad and clay does not stand at the limit of workmanship, the clay is his life material formulations including the idea and vision and the maximum enjoyment comes from the exercise of the highest degree of challenge in the twist and make it subject to be fine art.when Saad offers a traditional pattern of ceramic patterns like pots, he is not offered in a traditional but he but it in new form so as casts of his stemming decoration from the spirit of his painter feeling with a sense of taste and high daring in finding modern abstract formation do not lose sight of reminding us of historical identity.Traditional golden color when used by the artist here with expanses of turquoise or red and black, it makes us feel that this line dissolved in space, it carries the colors of the modern form, which carries more than last.Thus, we find that the most important stylistic countenance has represented by the following: -1.Provide the aesthetics of common relations between geometric shapes that convey the values of aesthetic ideal in terms of harmony and harmonious proportions as a certificate visible technical view capabilities of the artist and his characteristics consciousness for the scientific materials.2.Overlap Space represents the most important research and challenges imposed on himself and his work, trying to contain the ceramic form and included an internal arrangement of the space to be the visual focus of the form.3.Color Contrast, perhaps intended to activate us visually to the work has resulted in a tightening the optical led to contain the work quickly and energetic as he gave the forms independence and stressed the clarity of nimble contact, focused and accurate between the forms.4.Texture contrariness making Movements and harmonies in surfaces gained by the forms type gave depth and bounce to some of the shapes of each other, making the eye movement to work for the benefit of the overall work.5.Symmetry was probably orientations inherent in the and about geometric shapes and connections was the perfect symmetry interesting solution to the problem of balance in his ceramic work structure formalism.6.high-tech experience was spoken by almost all his works, not most of the touches differentiate by the high performance and brilliant technical reflects the staid and the accumulation of knowledge-based on long expert artist, he make the technical is the only way out for his creative thought. Saad Shaker distinct artist and ceramist, his style and special techniques, making it standing on the ground and specific line straight to reach the goal, which is he with the rest of the few of Iraqi ceramists are the structure of the Fine art contemporary movement process in Iraq, making him far from repeating himself and tempt the others to follow.