جدلية الذاتي والموضوعي في فن البوب آرت

Abstract

The research current (subjective and objective dialectic in Pop Art) Art studied the nature of self-relationship and objectivity and mechanisms of functioning in the arts of postmodernism and especially (Pop Art) Art has contained four chapters, interested in the first chapter, interested in the first chapter methodological framework to look representative of the problem of research Alswl determined by answering the following:1. What are the effects of self-motivation among Artist to identify and test forms and substantive data and methods formulated and presented in the work of Pop Art art.The chapter also contains a goal to discuss to know:1. identify the subjective and objective debate in the art of Pop Art.The limited research on the limits of spatial and Alrmanih objectivity and the border and the border, which focused on studying the Pop Art works carried out in all styles and materials.1.spatial border: Europe and America.2.temporal limits: - A945- 2000.3. Substantive border: Pop Art work of art executed with all the methods and materials The second chapter (theoretical framework) has consisted of two sections, in addition to the indicators resulting from the theoretical framework and previous studies. Take the first part, subjective and objective philosophical concept (self-concept in philosophical thought), while the second section dealt with the foundations of modernity and post-modernity subjective and objective The third quarter included research procedures. Find a community and a sample search and search tool. The fourth quarter included the search results, including:1. worked dialectical in model (3) according to a mechanism collected between subjective and objective, as the self in pop art the art of a particular structure formed by overlapping elements consist of sense, imagination and conscience that affect the nature of shapes and configuration and performance and autonomy of a private in the artwork.2. folk art has been confirmed through the threads drawn on the disturbance of the system modernist art in their work and concepts that were in control of the art. The researcher girl according to the results mentioned this some conclusions, including: -1. The concept of beauty is no longer associated with the tradition of previous concepts fit and harmony and symmetry ... but entered the field of art works of art to exploit provocative and ugly and daily consumer concepts and rolling, which is the slogan of the concept of pop art