المعالجة التقنية من سلطة المؤلف الى سلطة المخرج في العرض المسرحي

Abstract

Moving most of the theater of modern to emphasize what is being offered by processors include building differently's play to what he wants to be presented by the author of the visions and ideas confirms the text standard that tries the author through the development of the language's trans mission, and with the emergence of directorial styles experimental dialectical relationship between popping Author and filmmaker went this relationship raises a lot of problems that necessitated on Monday to review all the bases denominated process commitment towards the development of optical image expressing their perceptions of aesthetic and intellectual was the author and the authority of the director the authority to adopt ideas and treatments, including the technical Almertsmh and embodied by turning enrich the text and the visual image with lots of images depicted in language by the author in order to build and determine the temporal and spatial environment of the essence of the event presented by (the decor, lighting, costume, sound effects and music, make-up, accessories), and illustrated visually by the director on stage, and here is trying to researcher through this research, entitled (technical treatment of the author's authority to the authority of the director in the theater) to disclose the nature of the technical treatment between the two authorities, this research has included four chapters as follows: -Singled out the first chapter methodological framework for the search was the problem of the research question about the following: -What means or artistic and aesthetic treatments used by the director in the transfer of technology from the text to the show?The importance of research and the need for it has focused: -On the study of the relationship between the author and the director of the techniques (lighting, decoration, fashion and music) and how its transformation into a supply and thus was this research is an important tool for the reader to identify the specificity of the relationship between the director and the text being a master of theatrical work first hence the need to search heading towards the study of processors technique of text to displayThe aim of the research was as follows: -To identify the technical treatment of the text to the theater.The boundaries of the tripartite search was confined to the following limits: -Chronologically: - 2007- 2013Spatially: - IraqObjectively: - Study the technical treatment of the author's authority to the director in the theater's authority.And ended this chapter specify the terms contained in the title search.The second chapter has included theoretical framework included two sections was as follows: -First topic: - Me was studying the technical components in the theatrical text, and accept the researcher (instructions the play, the characters), the dialogue as well as the researcher reviewed in this section models and technology applications in the global theatrical text.The second topic: -vkd Me a study of technical components in the theater, and reviewed the researcher dialectical relationship between the author and the director as well as reviewed the technical components in the theater, including the (Representative, decoration, costume, lighting, sound effects and music, accessories) have included models of technical applications in Universal theatrical ended the second quarter reached including a researcher from the theory of indicatorsThe third chapter included research procedures, the research community and research sample and methodology of research and analysis of the samples was chosen as one of the theatrical performances in order to be analyzed with a view to detecting the goal of search.The fourth chapter contains the search results as well as the conclusions, as well as that contained a chapter on a set of recommendations and suggestions and proven sources