The Aesthetic Dimensions in the Drawings of Gustav Klimt

Abstract

The new art is considered one of the art of modernity, which dealt with the nature and context of life and the transformations of the society through artistic formations based on the shapes and lines inspired by nature in general. After that, Austria took this art to give it a distant horizon. Among its most important artists was Gustav Klimt, He had a prominent role in the dissemination of this art was one of the Moorish figures in the arts then. Where he relied on the structure of design and design that characterized his artistic products, which enriched his artistic and aesthetic experience in the world of art. Hence the problem of research by asking the following: What aesthetic dimensions in the drawings of Gustav Klimt? The importance of the research is by highlighting one of the arts of modernity (the new art) as an art that has its mechanisms, engines and characteristics, which did not get out of the study. As well as the study of the aesthetic dimensions that characterized the fees (Klimt), but the need for research is the need for this study as a form of enrichment library technical. The objective of the research (known as the aesthetic dimensions in the drawings of Gustav Klimt), while the thematic boundaries included the study of aesthetic dimensions in the drawings of Gustav Klimt, the spatial boundaries (Austria) and the temporal (1902-1916), and then the definition of the search terms and their definition. The aesthetic dimensions were then defined as a column In fact, it builds the path of research and its fruits. Where the theoretical framework contained two subjects and will be the ground for adopting the indicators of the theoretical framework. The first section was composed of the first: the aesthetic dimensions II: the new art where the aesthetic, intellectual and artistic views were reviewed; the second section, which represents the intellectual influences in the paintings of Gustav Klimt where He reviewed the most important intellectual stations in his work (Klimt) starting with the separatist movement and its impact on Byzantine art and then extracting theoretical framework indicators and previous studies.