he Aesthetics of Rhythmic Diversity in Contemporary Arabic Poetry

Abstract

This study attempts to reveal the aesthetics of rhythmic diversity in the contemporary Arabic poetry, which moved in 1947 and beyond a qualitative shift at various levels, this year, which witnessed the writing of the first two poems of poetry by Bader Shaker Al-Siyab and Nazek Al-Malaka. To achieve this purpose, it is necessary to deal with the difference and diversity in contemporary Arabic poetry, proceeding the rhythm of the trochee poetry between the narrowing and diversification, and the study of skis and alleles and their effect in creating diversity in the meters, as well as the diversity of visual form and spatial space, The study shows that the methods of rhythmic diversity: the combination of trochee poetry and vertical poetry in the poem itself, and the multiple meters, and the diversity of the form of audio, and in conclusion it was necessary to talk about the use of non-linguistic components (punctuation marks .(