أشعار المتنبي واجتهاده الموسيقي

Abstract

The study tackles the prosody al- Mutanabbi's poetry focusing on his jurisprudence. It has three cases: the first of which is al-motanabby' conformity with pre-Islamic prosody in the sequence of meters according to their importance and to use rhyme in time. In the second al- Mutanabbi is in according with the Abbasid' prosody in changing meters slightly and in using rhyme as well as writing hymns popular in the Umayyad period and continued until the Abbasid era. It is prolonged pre-Islamic hymns. There are also many artistic independent phrases and the objecting use of meters. In the third he works according to his jurisprudence attitudes. His attitudes include changing some meters, their objective use, their rules, and not believing in generated meters. This study is complementary to what has been written about al-mutanabbi and it adds to its enrichment and fills the gap of the shortage of prosodic studies in general, and about al-mutanabbi in particular. It draws the prosodic map of al-mutanabb's poetry.