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Difference and Contradiction of Critique Methods to Produce Styles of Modulation in Architecture: (Architect Peter Eisenman as Example)

Authors: Basim H. Al-Majidi --- Baneen A. Al-Saadawi
Journal: Engineering and Technology Journal مجلة الهندسة والتكنولوجيا ISSN: 16816900 24120758 Year: 2018 Volume: 36 Issue: 11 Part (A) Engineering Pages: 1122-1143
Publisher: University of Technology الجامعة التكنولوجية


- Rapid changes and developments have brought contemporaryintellectual theories and different and diverse ties to highlight the different andmultiple concepts contribute to the definition of any philosophy and intellect,which are frequent and mutant methods and demonstrations of the same valuesand origins which in turn describe the state of existence, continuity, permanenceand human communication, the most important concepts are Difference andcontradiction as the basis of everything, and without them there is no existenceor knowledge. most contemporary studies focused on the different criticalmethods linked to the semantics and meanings that express architecture on theone hand, and methods of expression, invocation and illustration on the otherhand, and both are contribute in the formation and creation of architecture andenrich its architectural output, despite the wide presentation of the concepts ofdifference and contradiction but these propositions only addressing each notionseparately without knowing their relationship as critical methods and trendsshaping the contemporary architecture and achieving communication withcommunity structure, So the problem of research has determined with (lack ofcomprehensive knowledge study describes the most important appliedmechanisms to concepts of difference and contradiction as critical methodscontribute to the production of continuous civilized building formation patternsof interaction between the designer objective and the receiver subjective), Inorder to address this problem, a conceptual framework was built for themethods of difference and contradiction, and the election a number ofarchitectural projects of “Eisenman” which shows difference and contradictionas a clear critical trends and methods as applied mechanisms or strategiesproduce emerged architecture formation patterns of outreached architecturaloutput among clones of what is happening globally or immersed in cloning forlocal references, and then described and evaluated them in accordance withindicators drawn from the conceptual framework of the concepts of differenceand contradiction that place and give the more plausible explanation,presenting a number of recommendations to depend on as critical methodologycontribute in production of patterns forming architecture, its recognitionswinging between what is subjective accompanies sensory perception and whatis that accompanies mental perception, and as sentimental mechanism fornetworking events, harmony and pleasure and thrill in physical output.

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